PRACTICE MAKES WHAT?
If you said PERFECT you would be normal. But when it comes to the arts, I say PRACTICE makes PROGRESS. I suggest that PERFECT doesn’t exist in art, or other human endeavor. I suspect not even Bach or Michelangelo would argue that their masterful work was perfect.
If there was a perfect to achieve, there would be no incentive for schleps like me to try. Is the Sistine Chapel perfect? Many suggest it is. If so, why have millions of artists bothered painting anything? If I can’t paint like Michelangelo, or produce a better Mona Lisa, why try at all? The same is true for great writers, thinkers, musicians or poets. Why bother if we can't be as good as Shakespeare or Hemingway? Vince Lombardi, the great football coach, said Perfection is not attainable, but if we chase perfection we can catch excellence.
Why some think art must be PERFECT to be valuable escapes me. But I hear such thoughts all the time: “I can’t even draw a stick man”. I had an art student named Mary who PRACTICED with me for two years. Others came and left, but she stayed. At first, she was the least promising in the class, mostly because she was 82, completely ignorant of watercolor techniques and disadvantaged by arthritic hands. But Mary was never after perfection. She was after the joy of trying something new, something she always wanted to try, and she was pleased with PROGRESS, not disillusioned by PERFECTION.
My grandsons produce several dozen drawings a day, but none are perfect, judged by standards of perfection. But we still love them and marvel at their sometimes unrecognizable pictures of the family, proudly displaying them on the refrigerator or wall. They haven’t learned yet to worry about perfection. To them, it is perfect, as it is to us. You see those etchings represent something flowing from their blossoming minds and hearts, not something that reminds us of Norman Rockwell.
Forty years ago, when I was learning to paint, I gave a juvenile level painting of a cardinal, painted on typing paper, to a very wealthy friend who immediately tucked it into the frame of her original Norman Rockwell. Why? Was it comparable art? Yikes no! But it was a gift from a new friend. Recently I painted another cardinal, on better paper with better skills, and gave it to a grieving widow because she and her late husband both loved cardinals. It was a simple gift from my heart to hers, far from perfect and maybe not even very good, but it was sincerely sent and gratefully received.
My brush with watercolors started, like Mary's, with a desire to try something that looked like fun. Over the last forty years of PRACTICE, I can point to some PROGRESS, and actually enjoy hearing others tell me how GIFTED I am. But truth be told, every time I hear that word GIFTED associate with my art I bristle. Why? It’s not some faux humility because I believe I am not a gifted artist at all.
To me a gift (including spiritual gifts) implies something is given complete, ready to use. The gift I do acknowledge is even better than painting. My gift is that I have an incredible amount of artistic DESIRE to paint, to write and learn. It’s nothing more than that. My job has always been to PRACTICE and improve every muse that captured my heart. With each form of art, I have practiced them, at different times, for decades, every night, mostly with great failure but occasionally with relative success. For every painting I sell, however, I toss least five. I published a book that took three years, all day, to finish. It wasn’t gifted to me, it was as the great Ben Hogan said about his incomparable golf swing, dug out of the dirt.
I have always envied people who played the guitar or piano well. I suppose a few here and there received a gift to be able to play without much work, but they are a statistical anomaly, not the norm. As a young girl, my wife was required to practice an hour each day, and if she missed a day, tomorrow was two hours. To achieve her paternally enforced quota of practice time, she chose to get up an hour early every day, sometimes while dad was still in bed. Today, she is a marvelous player, not because she is gifted, but because she paid the price of practice, not to become perfect, but to make progress with every scale or tune she played.
We tend to label people as gifted, or say they are geniuses, mostly because we can not understand how they can write or perform at a level we don’t understand. They make beautiful music, create lovely art or think deep thoughts that escape most. So naturally, because of our low self image, they are labeled gifted. Certainly, there are a few prodigies born each century, and some geniuses, but mostly, the best in any field are just people who spend time PRACTICING. Yes, even Einstein went to school to learn about physics.
Steve Jobs said: "It is more important to seek good, high quality work over a long period of time than to seek perfection in any particular project. People are paralyzed by perfection". Fast Company "Progress Versus Perfection".
In his book THE OUTLIERS, Malcolm Gladwell says, the truly great in any field practiced their craft or skills at least 10,000 hours, usually alone at a considerable cost to themselves. An outlier is not your grandson who knows how to use a computer better than you. They are the people everyone knows, even when they are on our personal radar. Some notable outliers include The Beatles, Bill Gates, Wayne Gretzky and those folks who breath the rarified air at the top of any field of human endeavor. 10,000 hours is not a guarantee for greatness, nor is it the only factor in achieving such heights, but is the threshold investment required to excel beyond the merely great, that moves the few toward superstardom.
Whenever I hear a potential art student say "I could never do that. I can't even draw a stick figure" I shudder with frustration. Yes, it’s true that I can never hope to be as great as my watercolor instructor Dylan Pierce, or my friend Vickie. I am not even close, but that doesn't stop me from trying. I won't make a living selling my art, but that doesn't keep me from painting. I mess up far more than I succeed, but it's still fun to try, and I usually learn far more from my failures than from my successes.
(Ibid. See Steve Jobs article in Fast Company)
Remember, the longest trip begins with the first step, and every accomplishment starts with the decision to try.
It's the same with life, isn't it? We hide the bad stuff about ourselves but strut the good stuff, even though we know the truth about both. We deserve less blame for our failures and less credit for our successes, but we learn as children to balance both, if we are to survive. Happily, as long as we seek truth, overcome fear and embrace every inch of PROGRESS, we are winners in life.
My limitations rest only in my lack of DESIRE AND COMMITMENT to make PROGRESS. Do you know whatI see when I compare my first painting to my best Zebra? I see not only a huge difference in quality, but beneath the paper, beyond the brush and behind the colors on the paper, I see growing COURAGE, great COMMITMENT and gratifying DESIRE.
Your muse may not be painting or art, but something else calls you to TRY IT! As Kurt Vonnegut says, sing in the shower, dance to the radio and write a poem to a friend. Remember, the master has failed more times than the beginner has even tried.
For me, art and painting are not the same thing. One creates an image-the other produces a copy (painting) of something recognizable. Both are good. While anyone can create something on a page, not everyone can produce a satisfying and recognizable image, unless they spend a lot of time learning how. Creating something allows the artist to be free from the expectations of perfection or reality. Copying may turn out messy and look foolish or out of sync with the object, but creating your art reflects you and your heart.
It’s the same with music. I have friends who create music that sells, they make a living doing it and more often than not leads to cries of “genius” or “gifted”. Others, equally talented, created sounds that reflect their souls and tell a story they want to tell, usually without receiving any kind of public or private acknowledgement, and certainly not fortune or fame. Should they quit trying because others don’t appreciate or understand their art? I imagine Igor Stravinsky shocked people with his “noise” long before he was called a genius. Bach was a largely unknown church organist unit after his death someone found his stash of priceless music. Similarly, Emily Dickinson’s worth was not widely recognized until after her death. That story goes on and on. I hope someday that list includes me. 😎
My message is simple. Don't shortchange yourself by stopping before you start. As long as you try, you are participating in the PROCESS of discovery, and if you PERSIST, you may not reach someone else's idea of PERFECTION, but you will experience a glow inside that enhances your self-image and increases the tally of beauty in this world.
I was just introduced to this quote from Kurt Vonnegut. He and I are kindred spirits, but only because he an I both decided to try, and we never quit. It’s too much be part of the process. “Go into the arts. I’m not kidding. The arts are not a way to make a living.They are a very human way of making life more bearable. Practicing and art, no matter how well or badly, is a way to make your soul grow, for heaven’s sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possible can. You will get an enormous reward. You will have created something.” Amen brother.
Jack C. Getz
Revised 9/28/17